Hong Kong Museum of Art (HKMoA)

Buffaloes_Wu Guanzhong.jpg

Buffaloes

Warm water_Wu Guanzhong.jpg

Warm water

Take a look at these two works which are currently on display at the exhibition. It took Wu Guanzhong more than 30 years of childbearing from the sketch to the oil painting! The painting shows a more abstract style which was the characteristic of Wu’s later works. Most interestingly, the positions of the two buffaloes are switched! Why do you think Wu made the change? Do you like it? 

Based on the title of the painting Warm water, Wu was possibly seeking to convey the strong affection shown by the old buffalo and the calf, which are gazing at one another.

Turning a sketch into an oil painting

Resource Kit Overview

Artist Introduction

Appreciation and discussion

Turning a sketch into an ink painting

Let’s add a bit of colour to Wu Guanzhong’s sketches, shall we? (There are more sketches in the PDF.) Do they look and feel different to you after you have added some colours?

Activity: Colouring sketches

Let’s try to apply Uncle Wu’s “move-the-site sketching” technique. Choose what you would like to sketch, rearrange the objects any way you wish, and complete a unique sketch using your preferred medium. Do you notice the environment and the colours around you? What catches your attention?

Activity: Sketching the everyday life

We can tell from the paintings above that Wu Guanzhong did not plainly sketch from reality, rather he liked to change the positions of objects and landscapes to enhance the composition of his works. This was the master’s special image retouching skill and he called it “move-the-site sketching”. He would extract the most attractive elements from a scene, then rearrange or reconstruct them to form the unique image he had created in his mind. He said sketching was about capturing the spirit of things, not merely their shapes and form which made no difference to a photograph. That is why his works are so beautifully composed. They may resemble the real landscape, yet it is hard to find a viewpoint that captures the precise scenery — all because he had reshuffled everything to create a new image!

The master’s image retouching skill

Besides pen and ink, Wu enjoyed using various media for his sketches, such as watercolour, markers and felt tip pens. He was able to capture the vibrant and lively atmosphere of a scene through his bold use of colours. On the other hand, his monochromatic sketches usually feature thin lines with more details, while strong brushstrokes highlight the shape of majestic mountains and rocks.

Sketching with colours

Do you notice the red square seal that often appears in Wu Guanzhong’s paintings? It is a seal carved in relief with the character “Tu”. Tu (sow thistle) is a herb with a bitter flavour. Wu used it as a metaphor for his life — from experiencing war as a student, to coming upon the Cultural Revolution that broke out after his return to China from Paris. With all the sufferings and bitterness, he decided to use the character as his alias. Despite life’s challenges, Wu did not grow to be resentful. Through adversity, he was able to pursue truth and beauty in the world, and his experiences became an endless source of inspiration for his art.  If you were to give yourself a pseudonym, what would it be? What best describes your personality, emotions and values?

Activity: My pseudonym

Offering you insights into the creative philosophy and emotional journey of Wu Guanzhong from his sketching trips. 


Resource Kits

Object Library

Museums

Wu Guanzhong Sketching from Nature

Turning a sketch into an oil painting